“The Way Back”: Sobriety Is Its Own Reward
A man struggling with the death of his son agrees to coach his former high school basketball team.
Entr'acte (1924)
Stop-motion photography blends with extreme slow-motion in Clair's first and most dada film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Stop-motion photography blends with extreme slow-motion in Clair's first and most dada film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
Rating:
Genre:Comedy, Fantasy
Written By:Francis Picabia
In Theaters:12/4/1924
Box Office:
Runtime:22 minutes
Studio:Les Ballets Suedois
Cast
René Clair
Director
Jean Börlin
Hunter / Magician
Inge Frïss
Bearded ballet dancer
Marcel Duchamp
Chess player, black set
Man Ray
Chess player, white set
Francis Picabia
A man loading the cannon
Darius Milhaud
Marcel Achard
A man following the hearse (uncredited)
Georges Auric
A man following the hearse (uncredited)
Georges Charensol
A man following the hearse (uncredited)
Georges Lacombe
A man following the hearse (uncredited)
Roger Le Bon
A man following the hearse (uncredited)
Articles You May Like
Fighting for your Life in 'The Survivor'
There's no hiding the horrors of war in this inspiring story of survival
What More is There to Say about ‘Squid Game’ ?
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
A Simple Mix-up has Barbaric Results in 'Barbarian'
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
'The Mitchells vs. The Machines': Creative Kids vs. Practical Parents
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.