‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

The accountant Adam can hardly believe it: Shortly before his 40th anniversary at the Moser family beauty business, his boss Rob sends him off to retirement early. The job will soon be taken over by AI! To get back at the beauty guru, Adam kidnaps his wife and famous brand face Evelyn. Unfortunately, it doesn't occur to Rob to pay a ransom for her. On the contrary: the vain star surgeon wants to rejuvenate his relationship with 29-year-old beauty model Lene anyway and is even grateful to the kidnapper! When Evelyn makes it clear to Adam that without her help he will neither get the money he craves nor get out of the affair in one piece, the two of them join forces. They come up with a brazen plan to empty Rob's offshore accounts.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Partners in crime, Eric Andre and Lil Rel Howery road trip from Florida to NYC.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.