“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

Media giant Jonathan Zander is known for his malicious business attitude and must find a new, trustworthy person for his organization. He then meets the talented, yet socially challenged, Sheldon Marcus. After leaving a life of mediocrity and insignificance, he must decide if he'll participate in attempting to take down one of the most connected and dangerous moguls around.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.