
The author Peter Ustinov has called his work "Endspurt" a "biographical adventure". Biographical because the somewhat ambitious but later successful writer Sam Kinsale meets here as a twenty-, forty- and sixty-year-old. The interesting thing about this film, however, is that the four Sams are confronted with each other. The diversity of an eighty-year-old life becomes transparent. At the age of 20, Sam Kinsale loves the young Stella and is determined to marry her. But 20 years later, he is fed up with the marriage and wants to leave her. But he doesn't because she is expecting a child. As a sixty-year-old, he is constantly making compromises both in his work as a writer and in his personal life.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.