Weapons Shows Intriguing Human Relationships in Mundane American Town Life
For those tranquil houses with white fences, what is happening behind every closed door?

The author Peter Ustinov has called his work "Endspurt" a "biographical adventure". Biographical because the somewhat ambitious but later successful writer Sam Kinsale meets here as a twenty-, forty- and sixty-year-old. The interesting thing about this film, however, is that the four Sams are confronted with each other. The diversity of an eighty-year-old life becomes transparent. At the age of 20, Sam Kinsale loves the young Stella and is determined to marry her. But 20 years later, he is fed up with the marriage and wants to leave her. But he doesn't because she is expecting a child. As a sixty-year-old, he is constantly making compromises both in his work as a writer and in his personal life.
For those tranquil houses with white fences, what is happening behind every closed door?
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.