The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

It’s 1939, and the world is teetering on the edge. On the day World War Two breaks out, a group of people discuss the state of the world in a little bar on a South American beach, far away from the front. A Brazilian communist faces off against a Portuguese capitalist; an Argentinian fascist against a Trotskyist French actress. On this remote sandbank, they all defend their ideologies that have been overtaken by reality. Parallels with the contemporary rise of extremist ideologies in Brazil (and around the globe) are hard to ignore.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.