It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

An intricately put together story that brings to the screen Korea's most sensitive issues. Through the lives of various Seoulites, the film features an unfettered look into Korea's modern society by presenting them into four chapters - Moratorium, Amorality, Moral Hazard, and Y2K.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).