'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

On June 14 and 15, 2025, in the Pierre Boulez auditorium, the Philharmonie de Paris welcomed the acrobats of the Australian company Circa for their show En masse, a creation combining contemporary circus and classical music—the fiery tale of a fallen civilization and its rebirth, carried by great pieces from the repertoires of Franz Schubert and Igor Stravinsky. German tenor Hans Jörg Mammel, an accomplished interpreter of the Austrian composer, sang several excerpts from the Lieder, while pianists Tanguy de Williencourt and Thomas Enhco, virtuosos of the young French scene, performed a duet that captured all the cataclysmic verve of The Rite of Spring.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.