'The Summer I Turned Pretty' Introduces a New Generation to a Summertime Staple
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.

We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.