“East of Eden”: Women Can Be Monsters Too, and It’s Time We Acknowledge It
Amid the ongoing debate surrounding Christa Pike’s death sentence, watching East of Eden, which shows that women can be monstrous too, is definitely refreshing.

Empire Valley contemplates cinema’s ability to transmit a confluence of times through landscape—whether that time be geological, personal or political. Situated within Tsilhqot'in territory in central British Columbia, the film addresses the way in which a landscape is carved out and altered in order to suit particular economic conditions. Further than solely contemplating the environmental, economic and social implications of this site’s history, this film is an attempt to grapple with the aesthetics imposed on the landscape by agricultural practices, erosion, and the traces of colonial ideologies.
Amid the ongoing debate surrounding Christa Pike’s death sentence, watching East of Eden, which shows that women can be monstrous too, is definitely refreshing.
It is up to the community to decide if this film is a force for enlightenment or not.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.