Emmet Otter's Jug-Band Christmas (2005)

Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.

Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.

I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.

From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.

A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

How do zombie films shine new light in the post-Covid and post-Brexit era?