Emerald Cities, completing the trilogy, is a story about a young woman who runs off from her Death Valley home to seek her fortune. Her drunken dad still stuck in his Santa suit from the local Christmas pagent, follows and soon comes in contact with the "new dark ages" of 1984. Juxtapositions of "on-the street" interviews (by Willie Boy Walker), punk performances by bands Flipper and The Mutants, TV shows of past-life hypnotism and nuclear destruction, and a crazed ex-con all finally intermix with the characters' own sagas.
Kung Fu Chit was a beautifully made, empowering short film that really spoke to me. Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
