5 Cerebral Gore Films Featuring Women: When Slasher Meets Women's Horror
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.

The World Boxing Organisation World Feather Champion Emanuel Navarrete will defend his title against Christopher Diaz. Navarrete won the title in 2020 when he gained weight and change the division. His opponent was Ruben Villa. Navarrete is a former WBO World Super Bantam Champion with 5 successful defences of the title. Christopher Diaz is former WBO NABO Super Feather Champion. He has only one successful defence of the title but is but he is battle-tested, having challenged Masayuki Ito for the WBO junior lightweight world title in July 2018. Diaz rebounded from a 2019 points loss to Shakur Stevenson, besting former world title challenger Jason Sanchez over 10 rounds last June inside the MGM Grand Las Vegas Bubble.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.