Katrin Wiedemann is on the verge of becoming a school principal. All she has to do is give birth to her third child and then she can start immediately after maternity leave. Katrin has no doubt that, as an experienced mother, she can juggle her child and her career. Especially because her husband Philipp has promised to take all of her parental leave. Unfortunately, the school administration has a different opinion and, after the turbulent birth of little Isalie, asks Philipp of all people to take over as headmaster for the time being. In the mistaken belief that he is doing Katrin a favor, he agrees.
Anna-Katharina Maier
Director
Nicolette Krebitz
Katrin Wiedemann
Hary Prinz
Philipp
Michael Steinocher
Marcel Schlösser
Daniela Ziegler
Diana Wiedemann
Sophie Rois
Dr. Schulze Stadler
Emilie Neumeister
Saskia
Peter Prager
Horst Koch
Matthias Brenner
Polizeibeamter
Emilie Neumeister
Saskia Wiedemann
Luis August Kurecki
Leo Wiedemann
Nicole Beutler
Beate Lechner
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
This animated movie is based on the migration of birds from the north to the south.