On her first night in the city, Jen meets Todd; she spends the night with him, only to discover he has already departed the morning after. Two years on, Todd reappears and disrupts the life Jen has created with her new boyfriend, Ethan. Tensions build and feelings resurface with a newfound fervor as Jen and Todd are inescapably drawn to each other, almost as if against their better judgment, struggling to find themselves and each other in the eternally changing city.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
