Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

The musical tells the story of Elisabeth ("Sissi"), the Empress of Austria, from her engagement and marriage in 1854 to her murder in 1898 at the hands of the Italian anarchist Luigi Lucheni, through the lens of her growing obsession with Death as her marriage and her empire crumble around her at the turn of the century.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.