An instructive compilation about pioneer Ottawa animator Evelyn Lambart, playfully contextualized by filmmaker Donald McWilliams.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
A dog who needs to learn new tricks in this family comedy.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
