Kicking off the Summer with 'Malibu Rescue'
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.

Just moments before the end of hostilities, a foolhardy order ricochets through the front- line trench. Sergeant Archie Jones and his pals find themselves going over the top one last time. All they had to do was wait just one more hour. As eleven o'clock approaches Archie, badly wounded, slips between two worlds. One filled with the familiar sounds and smells of death, the other of warm sunshine, a soft embrace and the innocent smile of a child. When all seems lost help is offered from an unexpected hand.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.