Quarantined with ‘The Platform’ a Horror/Thriller that Somewhat Parallels the Pandemic
It’s dark, uncomfortable, and there are things that don’t make sense.

Inspired by true life events, in the Oyo Empire in the 1940's, Elesin Oba, the king's chief horseman, succumbs to the lure of beauty and sexual desire on the very evening he is set to die in order to fulfil his lifelong debt of ritual suicide to accompany the dead Alaafin to the realm of the ancestors, he derails from a very important generational and spiritual transaction. This sets in motion a series of catastrophic consequences, in a spell-binding film of emotions, humour, and tragic role reversals that puts ancient beliefs and customs on trial in an ever increasingly post-modern and Western world.
It’s dark, uncomfortable, and there are things that don’t make sense.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.