In the 1970s, England's Electric Light Orchestra (aka ELO) was renowned for both its lushly textured prog rock and its ornately orchestrated arena concerts. This program captures the band performing live at London's Wembley Stadium in support of their OUT OF THE BLUE album in 1978, combining a spectacular light show and special effects with classic tunes such as "Standing in the Rain," "Sweet Talking Woman," "Mr. Blue Sky," and many more.
Mike Mansfield
Director
Jeff Lynne
Himself (lead vocals, electric and acoustic guitar)
Bev Bevan
Himself (drums, percussion, backing vocals, spoken word)
Kelly Groucutt
Himself (bass guitar, backing and lead vocals)
Mik Kaminski
Himself (violin)
Richard Tandy
Himself (keyboards, vocoder)
Hugh McDowell
Himself (cello)
Melvyn Gale
Himself (cello, piano)
Jake Commander
Himself (backing vocals, acoustic guitar)
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.
Make way for more Latine representation! Disney has released a toe-tapping musical trailer for "Encanto", which features more diversity than expected!
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.