Wake Up, Dead Man (Everyone's Included Until Somebody Gets Stabbed)
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.

Mia, who lends her voice to a Japanese Anime super heroine, finds reality and fiction to be interlacing more and more. Suddenly, Mia can see electricity, leap off rooftops and save people’s lives. But as Mia’s superpowers grow, so does her awareness of looming danger. Just as in the Kimiko anime, hostile powers are planning a massive electric blackout to destroy the city, maybe even humanity itself. And while Mia tries to save everybody from the imminent crisis, it's her own stability which seems to be put at stake.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
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Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.