The Good Deeds in ‘A Good Person’
‘A Good Person’ makes it clear that forgiveness is hard.

They found him at the "Gostilna pri Avseniku" tavern in Begunje. Safe behind his keyboards he played popular evergreen after another popular evergreen. Were history even the slightest bit fair, he wouldn't be doing that. Miha Kralj is considered the pioneer of electronic music in Slovenia and former Yugoslavia. His debut album Andromeda (1980) has achieved cult status and is still sought after by music enthusiasts all around the world. He also played in groups Prah and Dekameroni, for the latter he wrote his most famous song Sava Rustles. At last he got his own documentary.
‘A Good Person’ makes it clear that forgiveness is hard.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.