A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Years pass since Abdel-Wadood and Aziza's marriage, but they do not have children. He marries Laila and they have a son, Omar. He is surprised when Aziza gives birth to their only son, but he abandons her. The two brothers become university students without knowing the truth about their relationship. They both fall in love with their colleague, Alfat, who prefers Wahid, who hides his love for her due to the social difference between them. Abdel-Wadood regrets his behavior with Aziza and Wahid and reveals the truth about his brother to Omar.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.