
One hundred years since the Mexican Revolution and two hundred years since the independence. Thousands of victims from drug trafficking in a country amongst the most dangerous in the world. Indigenous peoples struggling for dignity, Marxists against imperialism, pharmacies selling cigarettes, 50% of the population dying of starvation, the Zapatista Movement shuts itself off from the outside world, the left is fragmented, the jeopardized right governs. The mixture of vitality and atrocities mark a volatile and yet brewing social situation. Crossing Mexico becomes a political reflection in a sense, both historical and anthropological. Without stopping, the words and images of this film are woven into concepts and feelings, creating a continuous flow, a domino effect in the chain of the contemporary human condition.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
An original animated movie in the Wimpy series based on the book Cabin Fever.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.