Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

El Papel poster

El Papel 

“El Papel” explores the tension between identity and representation, showing how a woman, in her eagerness to project security and fit into an idealized professional image, ends up trapped in the construction of a character that distances her from herself. The résumé, the paper she has to hand in, is not just a document, but the symbol of a version of herself that she must interpret, a mask that she strives to make believable; ultimately, a role.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


“El Papel” explores the tension between identity and representation, showing how a woman, in her eagerness to project security and fit into an idealized professional image, ends up trapped in the construction of a character that distances her from herself. The résumé, the paper she has to hand in, is not just a document, but the symbol of a version of herself that she must interpret, a mask that she strives to make believable; ultimately, a role.

Rating:
Genre:Documentary, Drama
Directed By:Josu Petite
Written By:
In Theaters:
Box Office:

Runtime:1 minutes
Studio:

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses