Weapons Shows Intriguing Human Relationships in Mundane American Town Life
For those tranquil houses with white fences, what is happening behind every closed door?

This film takes a dive into a photographic archive that portrays the 1968 student movement in Mexico. By reviewing over 1300 photographs of students, soldiers and citizens, and the development of a movement inside the Mexican capital, marked by the massive uprisings and the government's repression, the film questions the relationship between memory, power and representation.
For those tranquil houses with white fences, what is happening behind every closed door?
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
This animated movie is based on the migration of birds from the north to the south.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.