Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Suddenly, Omar a worn-out garment salesman, finds himself among the rich of the ancient city of Marrakech, finds himself among the rich of the ancient city of Marrakech, after he found a large sum of money in a pile of clothes, He decides to change his life, wearing a modern suit, and starts illegitimate with another girl, hoping to enjoy the happiness and tenderness that he missed during his marriage of Latifa.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
"Thunder Road" presents the grief that comes from a family member taking their own life.
A world of expansion awaits.