It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

A son of the Marquise of Seven Almenas is robbed by a crook and deposited in Melchor's house, who sells dolls in the street. The administrator of the Marquise discover the whereabouts of the child and goes to pick him up, but Melchior gives him one of his children, thinking that will ensure the future. Over the years, Melchior, widower, enters as a steward in the house of the marquise where the alleged 'marquis' live splendidly.
This is not a story of oppression but a story of liberation.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.