“Other Mommy” and Deuteronomy
This film’s ambition is betrayed by its lack of substance.

In June 1978, Patrick Vallençant made the first ski descent of the southeast face of Artesonjaru in Peru, in the Cordillera Blanca, 6,000 meters above sea level and 60° of slope. He left Huaraz on horseback, a donkey carrying his equipment. While crossing Cajas, the last village on the trail to Lake Paron, he was greeted by Victor and Cesar, two Indians who accompanied him to the lake. The climb to the summit was tiring, requiring as much effort from his arms as from his legs. The beginning of the descent was hesitant, the slope extremely steep. He achieved his feat on June 9, his thirty-second birthday.
This film’s ambition is betrayed by its lack of substance.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Now that we're officially halfway through Hispanic Heritage Month, let's look ahead at movies featuring Hispanic & Latine representation through the rest of 2021.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.