‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

A fiction film made with fragments of reality. An historical documentary made by cogging fictional elements. This is the odyssey of those who dared dreaming and were devoured by their dreams. An adventure into the origins of cinema and utopias, an historical road movie. The K Effect recounts Maxime's passionate life during the 20th century: a century shaken by fascinating utopias that spawned cheerful dreams and dreadful nightmares. Lights and shadows. The great metaphor of cinema.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.