Trans Allegories in Film: 'Robots' (2005)
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.

With the arrival of a new and mysterious inmate, known as El Coco, fear grips the place: stormy nights, unexplained deaths, and an atmosphere charged with tension. Desperate authorities turn to a unique group of comical prisoners to uncover the truth. Can they save themselves from this sinister creature?
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.