Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

El club de pesca poster

El club de pesca 

Rodrigo and Valentina, in marital and financial crisis, discover that their maid owns a valuable painting by Sorolla. In their desperation, they plunge into a web of deception as they fight to recover the painting and restore their life together.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Rodrigo and Valentina, in marital and financial crisis, discover that their maid owns a valuable painting by Sorolla. In their desperation, they plunge into a web of deception as they fight to recover the painting and restore their life together.

Rating:
Genre:Crime, Action, Adventure, Thriller
Written By:
In Theaters:
Box Office:

Runtime:93 minutes
Studio:

Articles You May Like


"She Rides Shotgun" — A Gritty, Heartbreaking Father-Daughter Thriller

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

Nilufer Ozmekik

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones