Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
El Amparo poster

El Amparo (2017)

On the border of Venezuela with Colombia, during the late 80's, two men survive an armed assault near the Arauca River, in which fourteen of their companions end up dead. The Army accuses them of being guerrilla fighters and tries via intimidation to seize them from the cell where they are being watched over by the local police officer and by the entire village. They say they are simple fishermen, but pressure to yield to the official version is overwhelming.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


On the border of Venezuela with Colombia, during the late 80's, two men survive an armed assault near the Arauca River, in which fourteen of their companions end up dead. The Army accuses them of being guerrilla fighters and tries via intimidation to seize them from the cell where they are being watched over by the local police officer and by the entire village. They say they are simple fishermen, but pressure to yield to the official version is overwhelming.

Rating:
Genre:Drama
Directed By:Rober Calzadilla
Written By:Karin Valecillos
In Theaters:1/6/2017
Box Office:

Runtime:99 minutes
Studio:Tumbarrancho Films, Películas Prescindibles, Caja Negra Producciones, Centro Nacional Autónomo de Cinematografía (CNAC) (I)

Articles You May Like


Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses