Tiro Mandawa accidentally discovers a mysterious ancient artifact while he is guiding an archaeological mission. The artifact is believed to be the last piece of an ancient inscription related to Indonesian folklore. Prof. Kuncoro, a professor of history on ancient civilization, believes that the artifact is the key to the location of an ancient relic that has an endless powerful force. A giant company, the Madewa Group, headed by Adinoto Madewa is willing to finance the expedition to find the ancient relic. Tiro, and his faithful assistant, Satrio, the head of Madewa Group special staff, Miranda, plus Prof. Kuncoro and his two children, Sandhika and Panji, join this expedition mission. Their work is then obstructed by a treasure hunter, Maulana, who is also after the ancient relic.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
