"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

It tells the story of a man who wants to win back his wife, who has lost her memory. Nusret is a middle-class civil servant working for a company. He lives a quiet life with his wife Nebahat. One day, Nebahat is involved in a traffic accident. After the accident, she lies unconscious in the hospital for several days. During this time, Nusret, unable to get any news about his wife, becomes worried. After a while, he learns that his wife is in the hospital. However, Nebahat has lost her memory after the accident. Therefore, when she wakes up, she escapes from the hospital. While escaping from the hospital, Nebahat encounters Necla, who hits her. Necla takes Nebahat with her. After losing her memory, Nebahat becomes a completely different person and becomes a famous singer thanks to Necla. Nusret, on the other hand, will have to take on a new persona in order to win back his wife.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.