An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

The films tells how a greedy moneylenders son Gangaram, is Saved from following in his fathers footsteps by an understanding wife. The villagers and particularly the arch-enemy of the youth, come to know the change in heart of the moneylenders son only after setting his house on fire. Later they save Gangarams wife and children from the fury of floods.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.