Samantha Mitchell’s “RSVP” Incluvie Film Fest Review
“There’s always something you can do…to make people feel like they’re welcome”

What happens to the feelings of two people when they are poured into the official form of a marriage? Love can suffocate under the pressure of this contract or blossom into an unexpected, deep bond when confronted with eternity. Why do two people promise each other? Levin Peter and Elsa Kremser, not only two filmmakers but also a young couple, search for answers to these questions. Driven by a very personal story, the film interweaves very different couples and concepts of marriage.
“There’s always something you can do…to make people feel like they’re welcome”
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.