Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

Paris, 1888. With the help of forensic medicine, a sensational criminal case is uncovered. The chief of the Paris Sûreté, Inspector Goron, with the help of Lyon University Professor Lacassagne, is able to solve a capital crime that seemed unsolvable according to the methods of forensic science at the time. By analyzing the bone structure, Lacassagne identifies an unknown dead man as the Parisian civil servant Alphonse Gouffé, who disappeared months ago, and is also able to prove that he was murdered. The murder suspects include Gabrielle Bompard and her lover Michele Eyraudt.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.