A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

The young, good-looking Gina can't find work in her profession as an interpreter. Being idle is not her thing. To escape the curse of being overqualified and at least get a job as a housekeeper for a manager, she has to disguise herself. A bit ugly, a bit blonde and a bit stupid. Gina succeeds so perfectly that even her aunt, who actively and cunningly helped Gina get the job, is amazed. But Gina almost drives her new employer to despair, and turbulent entanglements naturally ensue.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.