Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Eileen Gray, born in 1878 to an aristocratic Irish-Scottish family, was a pioneering designer and architect whose work continues to define the Modern era. After studying in London, she moved to Paris in 1902, where she gained respect for her innovative designs, including the Adjustable Table, Lota Sofa, and Tube Light. Gray led a bohemian lifestyle, embracing both men and women, fast cars, and travel, while revolutionizing living spaces. Her architectural masterpiece, the E.1027 house in Roquebrune, captivated fellow architect Le Corbusier, though it ultimately strained their friendship. Despite passing away in 1976, largely forgotten, Gray’s legacy endures, with her original pieces fetching millions at auctions and admired by figures like Yves St. Laurent. Her work remains avant-garde, solidifying her status as an icon of the Modern movement and one of the twentieth century’s most intriguing women.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.