“Where Fireflies Dance”
An indie production of a romantic drama with a country-western feel meant to explore lost love.
Egon Schiele: Excess and Punishment (1981)
In 1912, in Austria, the painter Egon Schiele is sent to jail accused of pornography with the nymphet Tatjana in his erotic paints. His mate, the model Vally, gets help from a famous lawyer to release him. Then he leaves Vally, marries with another woman and goes to the war.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In 1912, in Austria, the painter Egon Schiele is sent to jail accused of pornography with the nymphet Tatjana in his erotic paints. His mate, the model Vally, gets help from a famous lawyer to release him. Then he leaves Vally, marries with another woman and goes to the war.
Rating:
Genre:Drama, Romance, History
Written By:Leo Tichat, Herbert Vesely
In Theaters:6/6/1981
Box Office:
Runtime:95 minutes
Studio:Cinéproduction, Dieter Geissler Filmproduktion, Gamma-Film
Cast
Herbert Vesely
Director
Mathieu Carrière
Egon Schiele
Jane Birkin
Wally Neuziel
Karina Fallenstein
Tatjana von Mossig
Christine Kaufmann
Edith Harms-Schiele
Kristina van Eyck
Adele Harms
Ramona Leiß
Gerti
Angelika Hauff
Schiele's Mutter
Herbert Fux
Gendarm
Harry Hardt
von Reininghaus
Serge Gainsbourg
Self
Marcel Ophüls
Dr. Stovel
Articles You May Like
‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
'Ashley Garcia: Genius In Love' (2020)
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
'The Platform’ - a Horror/Thriller that Paralleled the Pandemic
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
‘War Machine’(No, not that one)
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.