Wayward Really Is Worth All The Hype
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

In the present day, archaeologist Tapdig finds a strange egg during archaeological excavations and claims that this egg is a million years old. No matter how far-fetched it may sound, what he says is actually a reality in the parallel universe that existed millions of years ago. As Tapdig says, the tribal chief entrusts his son Dudu with the sacred eggs inherited from his grandfather, and instructs him to protect them, warning him that a great disaster will occur if these eggs break. However, by chance, one of the eggs falls from Dudu's hands and breaks, and Dudu is transported to the present day. Having fallen into the modern era, Dudu devotes all his energy to searching for the surviving egg (found by the archaeologist). In this, he is helped by the swindler Magsud, a journalist he has just befriended. However, the results are not at all as expected.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?