“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.