Yios, a lonely mythical boy whose head shines like the sun, struggles to make friends in the clouds. After an unfortunate prank sends him down to Earth, an unexpected encounter challenges the way he sees himself.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
YouTube surpasses Netflix but there is more to the story.
