Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Eeek! (2025)
Following The Legend of Gourdface, Jesse, Nicole, Paul, and Felix hatch a plan to capture proof of the paranormal for a town-wide photo contest. While rumors of poltergeists and long forgotten cults haunt the hallways of the once-grand “Mourning Manor,” what really lurks inside is something sure to place first.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Following The Legend of Gourdface, Jesse, Nicole, Paul, and Felix hatch a plan to capture proof of the paranormal for a town-wide photo contest. While rumors of poltergeists and long forgotten cults haunt the hallways of the once-grand “Mourning Manor,” what really lurks inside is something sure to place first.
Rating:
Genre:Horror, Comedy
Written By:Hunter Hoskins, Alyssa Couri
In Theaters:4/30/2025
Box Office:
Runtime:12 minutes
Studio:Cinema Family Productions
Articles You May Like
'Run This Town' is Ford-ified by Rob's Depletion
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
'Synchronic': An Accelerated Time Travel That Could Have Been Great
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Honey Don't: Sizzles, Before Fizzling
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
The Wedding Banquet (2025): A Window into Modern Day Queer Relationships
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.