Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Based on Edward Lee’s seminal and wildly controversial 2003 novel, “EDWARD LEE’S THE BIGHEAD” directed by Michael Ling is set in the West Virginian backwoods where vicious monsters, both human and supernatural, go on a terrifying rampage in search of a special young woman. Their path of destruction uncovers long held secrets and puts the fate of the entire world in jeopardy.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Four more classic horror films that are entertaining even if occasionally absurd.