“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

The many references in contemporary film to Edward Hopper's works, as well as the widespread reproduction of some of his paintings have made his universe familiar to many. His unclassifiable figurations weave a dialogue between appearances and light, between the unmistakeable and enigma. Focusing on the artist's personal life in the context of 20th century America, "Edward Hopper and the Blank Canvas" bears witness to a fiercely independent painter, who was aware of the issues of his era, and who was hostile to the imprisonment that a modern American art opposing realism and abstraction could lead him to. This film brings the artist to life, transposing his realist and metaphysical poetry. It is a subtile and passionate work, which at last unveils one of the most important painters of American modernity.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.