Eduard Wiiralt (1898-1954) is considered to be the most prominent master of Estonian graphic art in the first half of 20th century. Wiiralt's restless and intricate life is expressed through his work that is also the object and the main expressive means of the documentary.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
