In the fourth year of Keio (1868), defeated retainers sought to restore the Tokugawa shogunate with the help of Enomoto Takeaki's navy. Honda Koroiku was one of them. He discreetly handed a departure note to his fiancée, Otosei, the daughter of Matsudaira Soebe, and left Edo. Otosei's cousin and Koroiku's friend, Domae Daikichi, was once a brave warrior of the shogunate army. However, he had since fallen into a life of debauchery in Yanagibashi and was rumored to be involved with a geisha named Orikki.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
This horror movie combines elements of horror and babysitting with Black representation.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
