‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

A woman returns to an old building to reminisce. Memories of the place guide her and she plays hide and seek with her memories. Nothing is what it seems. The passageways can be playgrounds for children; the railings, songs; and the windows, opportunities for love. She searches for the mystery that binds her to the Central Building.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
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I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.