A boy lost in the nights of Madrid, looking for the love he never received in his past relationships. In the mornings he does not take advantage of them, in the afternoons he fills them with beers. One day, he attends a make-up school as a model; there he meets a man who is different from the rest, someone who will teach him, without knowing it, that what he had lived before were toxic loves.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
